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Essays

Tri-Color CCD Imaging at the Grasslands Observatory

By Tim Hunter and James McGaha
 

Color astrophotography with a CCD camera is possible if three black and white images of an object are taken through red, green, and blue filters and then combined into a final color image. The production of good color pictures with correct color balance, sharp focus, and little star trailing is not easy. It requires an excellent CCD camera, a telescope with a superb tracking, appropriate image processing software, and software to combine separate monochromatic images into a final color image. Color astrophotography has only been practical since the mid 1960's. Since then, there has been a revolution in the quantity and quality of color films available. This resulted in color astrophotography becoming a routine occurrence with thousands of gorgeous astronomical photographs published. Color astrophotography is relatively inexpensive and readily available. Until recently, fast color films had fairly large grain. Also, most films suffer from reciprocity failure, and quite long exposures are required for photography of faint objects, especially with slow, very fine grain film. To obtain the finest quality images, one also has to have access to a color darkroom or pay for professional photolab work. CCD cameras have revolutionized professional and amateur astronomy. They have incredible speed compared to film, and they have a linear response from nearly the lowest light levels to the highest light levels. Because of their linear response and their digital data format, CCD images are readily amenable to image processing, and they can easily produce direct numeric data.

The days of film astrophotography are rapidly coming toward a close for most application. Professional black & white astronomical films have been discontinued, and fine grain black and white films are becoming uncommon with Kodak discontinuing its Technical Pan 2415 film, long a favorite of amateur and professional astronomers. Digital single lens reflex cameras (DSLR) and web cameras have increasingly replaced film photography for telephoto images of the night sky and for Solar, Lunar, and Solar System imaging. High quality CCD cameras are the mainstay for professional astronomical work and for imaging of faint objects.

CCD cameras do suffer from several disadvantages. They are expensive, and they require the use of a computer to run the camera and to process the data. CCD cameras only produce black and white images. Their spectral response and sensitivity vary greatly. As a rough general rule, they are very sensitive to red and near-infrared light, moderately sensitive to yellow and green light, and somewhat poorly sensitive to blue light, though clearly superior to film at most wavelengths. Their capacity for spatial resolution is potentially less then fine grain film, though much amateur astrophotography is limited by local seeing and telescope tracking, and CCD imaging can approach the sharpness found with most film astrophotography.

 

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